Airfleck - Airfleck

my art for @ianthesmells ;). Prompt was "cunty outfit" (although I realized as I was doing this idk what a true cunty fit is lol)

Companion piece HERE

Took Alexandria Neonakis' Schoolism class on costuming, and the main assignment was to design the costume for a character in a book, movie, etc. Her example was Tom Bombadil and Goldberry, so I designed Mina Harker from the book Dracula! I tried to make her outfits as close to 1880/1890's designs as I could. Her clothes are of an older style, as she was a school teacher and Jonathan had only just been certified, so in my mind they didn't have a lot of money, and then...Dracula happened.

Very informative class, would recommend!

If the world's shell does not break, we will die without being born.

🥀Break the world's shell!🥀

THEY SUCK AT PVP!!!!!!

far from prudish but just got blazed porn of someone's pussy spread out so hard and up close like it's a map of the polish-lithuanian commonwealth and I'm king and grand duke sigismund II augustus inspecting his lands to plot defense against the swedes

cast your votes!!

by god

(found on reddit)

Some people have been making the joke about the characters of Dracula being stuck in a time loop but honestly it got me thinking about how epistolary novels feel like a potent manifestation of the concept of being doomed by the narrative

Because when I read a non-epistolary book, I’m not left with this sense that it’s all going to reset because the events of the book aren’t happening according to a very specific timeline. Like, sure, maybe specific dates get mentioned in the book, but it’s not as rigid as having a diary or letters with exact dates laid out over the course of six months.

Because Dracula has a definitive start date and end date, the characters are fixed in time and being (sometimes literally) railroaded. Your sense of the passage time is very concrete and there’s not a ton of wiggle room. Like, a book such as…idk, The Great Gatsby that doesn’t have any dates in it (IIRC) feels timeless. Sure, maybe it takes place in spring and summer, but you can kind of lose track of that because there isn’t a calendar keeping you aware of the date. Gatsby has to die within a certain window of time in the year but you’re free to imagine that as being whenever you want.

Not so in Dracula. Jonathan HAS to be on his way to Castle Dracula on May 3 and 4, he HAS to be there until at least late June. He cannot be already at the castle on May 2, and he can’t leave until after a particular date has come and gone. Every event in the book has to happen on or about the date it’s written about, there’s no room for deviation. We are free to imagine what might happen between specific dates (especially in the long stretches with no updates) but ultimately it all has to conclude in a specific event happening on a specific date.

That really lends the book the sense of being a time loop because we can pin down a pretty much exact timeline of the book. We know that these characters are locked in, and on the dates of the novel they cannot meaningfully deviate from the text. And because of that, they’re doomed to live those events out on the same exact date every single year for all time.

It adds the same layer of dread/grief/futility that you might feel when playing a game and reading in-universe diaries/news stories/etc from the early days of the game’s apocalypse. You can’t change the events of the past no matter how much hindsight you have, and none of us can change the canon events of Dracula no matter how much foresight we have. Jonathan is always going to be on his way to Dracula on May 3, and he’s always going to be completely unaware of what’s waiting for him.