I’m Writing A Second Draft For The First Time, And It’s Both Exciting And Terrifying. We’ll See

I used to try and resist what comes naturally to my writing, fearing judgement. I have learned that, through writing what I am passionate, I get stuff done. This is your sign to add that thing to your WIP. You know what that thing is to you.

Writing, at its core, is about stepping into someone else’s shoes. It’s not just about creating characters who are like you, it’s about understanding characters who are nothing like you. Writing forces you to ask, “Why does this person act this way?” “What are they afraid of?” “What do they want?” You have to feel what your characters are feeling, even if you don’t agree with them. That’s how you create characters who are complex, layered, and real.

Writing Tip - How To Make Fight Scenes Interesting

More writing tips

So, when it comes to writing fight scenes, as I have done quite a few of them, there's some things I keep in mind.

Ensure Consistent Character Abilities: Characters should fight consistently throughout the scene. They shouldn’t magically become stronger or weaker without a clear reason. Consistency in their abilities helps maintain believability.

Avoid Making Heroes Invincible: I prefer not to portray heroes as invulnerable, as seen in many 80s action movies. Instead, I include moments where the hero gets hit, shows visible injuries, and shows fatigue. This makes them feel more human and improves the significance of their victories. It’s hard to create a sense of urgency if the characters don’t seem to be in real danger.

Portray Antagonists as Competent: I avoid depicting random cannon fodder as foolish by having them attack one at a time or easily get knocked out. Instead, I show them employing smart tactics such as ganging up on the hero and even getting back up after being knocked down.

Incorporate the Environment: Don’t forget to include the surroundings. Whether the fight takes place in a cramped alley, on a rain-soaked rooftop, or in a collapsing building, use the environment creatively. Characters can use objects as weapons, find cover, or struggle against challenging terrain.

Highlight Self-Inflicted Pain: Characters can hurt themselves just as much as their opponents. For instance, after landing a powerful right hook, a character might need to pause and shake off their hand in pain. This not only adds realism but also highlights the toll that fighting takes on the body.

Show Consequences After the Fight: Consider what happens after the battle concludes. Do injuries slow the hero down and limit their abilities for the rest of the story?

These are just a few tips for now. I am planning to release more tips on how I write my fight scenes with some examples included. See you then!

Me: I wish I could spend all my free time writing

Also me: has other hobbies that I take more seriously for some reason so I can’t just write all day because I made commitments

Writing a fanfic sometimes feels like having a plan...only for that plan to magically transform into a slice of cake. Now you have to bake the rest of the cake because you can't just serve a single slice whilst random cake slices of unidentified origin rain down from the sky tempting you like some kind of cake demon.

Ok this book idea I’ve started drafting, I have no idea what’s gonna happen. Like I have vibes, a bit of world building, backstory, and three characters I barely know. I’m just gonna let the plot find me I guess

It will never not be frustrating to me that amputees appear in fiction ALL. THE. TIME. and yet they're almost never acknowledged as such. The Cyberpunk genre is especially guilty of this: amputees and prosthetics becoming a normalised part of life are a defining part of the genre/aesthetic and yet no one even consults with any amputees about how we get represented there. Most writers in those genres don't even consider that giving your characters cybernetic arms and legs means they're an amputee.

CW: Ableism, dehumanisation

This makes it REALLY uncomfortable to engage with stories in the genre because another common aspect of cyberpunk is the idea of losing yourself and becoming something distinctly not-human anymore because you have too many cybernetic augmentations/implants. Shadowrun even has mechanics for this, which state if you get too many prosthetics, which is what cybernetics are 9 times out of 10, your character becomes a monster. These mechanics and discussions surrounding "how many robot bits make you not human anymore" are really, really uncomfortable when you remember this isn't something that's unique to a far-off future setting. Those people you're discussing the humanity of already exist. They're called amputees. If you reframe the question as "how many amputations can you have before you stop being a person" I hope you can see why an amputee like myself is not going to feel safe around you or in your fandoms.

And it's a shame, because I REALLY want to like Cyberpunk. I really, honestly do. I love the aesthetics, I love the idea of big corporations being the villains and the anti-capitalism at the heart of the genre, and I love the idea of prosthetics being not only destigmatised, but desirable. When written from a disability-inclusive lense, it honestly has the potential to be an incredibly uplifting and empowering genre. but as the genre stands right now, it's actively hostile to the very folks who are usually the stars of its stories: amputees, all because people just refuse to acknowledge us.

Cyberpunk isn't the only genre guilty of this, it's common all throughout sci-fi as a whole, but Cyberpunk is the only one where it starts becoming a serious issue due to its rampant dehumanisation of a real group of people. In other sci-fi settings, it's just kind of annoying and while it can be a form of erasure, it's not usually harmful, just...frustrating. Fantasy does it on occasion too, think pirates with a hook and a peg leg, but nowhere near as much.

If you, as an author or creator, use any of these words to describe a character or their tech in a sci-fi setting:

cybernetics/cybernetic enhancements

bionics

robot limbs

cyborgs

augmentations

You are probably writing an amputee. Please, at the very least, acknowledge it, and be mindful that those are real people who actually exist, not just a fantasy group you can speculate about.

I think, as much as I want to write today, I need a break. Hopefully the voices let me actually take one.

I love my fellow disabled Americans so much I love you if you’re on SSDI I love you if you’re unemployed I love you on Medicaid I love you on foodstamps I love when you exist no matter what. you’re important and your life is important to me. your safety and continued existence is essential and should never be questioned

Unfortunately I speak this language

What I Say vs. What I Actually Mean When Talking About My Writing

Ah, writers. We’re like caffeinated raccoons with a thesaurus—erratic, dramatic, and perpetually on the verge of either brilliance or a breakdown. We love our craft, we loathe it, we panic about it, and sometimes we have midnight sword fights with it (metaphorically… usually). For my long-suffering friends and family, here’s a guide to decipher the cryptic ramblings of an organism like me.

"I’ll finish this draft by the end of the week."

I will procrastinate for six days and have a meltdown on the seventh.

"This chapter just needs a little tweaking."

This chapter is trash, and I’m about to rewrite the whole book instead.

"I love my characters so much!"

I’m going to emotionally devastate them for fun.

"The plot is solid, I just need to flesh it out."

The plot is six sentences, half of which are question marks.

"I’ve got a new idea for a book!"

I’ve abandoned my current project and am fleeing the guilt.

"This is just a first draft."

Please don’t judge me for this dumpster fire.

"I’m doing research for my story."

I’ve been Googling ‘weird medieval punishments’ for four hours.

"I don’t care about reviews."

I’ve read every review. Twice. And cried over three of them.

"The ending needs a little work."

The ending doesn’t exist yet, but thanks for asking.

"I’m editing today."

I’ll spend 30 minutes on commas and four hours rearranging furniture.

"My characters took over the story."

I have no control over anything anymore. Send help.

"I think this draft is almost done."

There’s a 40% chance I’ll delete it tomorrow.

"I’ll outline my next project properly."

HAHAHAHAHA. Sure, Janet.

"I’m working on character development."

I’m Googling psychological disorders and debating tragic backstories.

"I’ll just jot down a quick idea."

I’ve accidentally written half a novel on a napkin.

"I’m worldbuilding right now."

I’ve spent three hours naming a forest and none on the actual plot.

"I don’t get attached to my characters."

I would die for this fictional idiot and cry over their demise daily.

"I’m starting fresh with this new story idea."

I’ve given up on my last three WIPs but refuse to admit defeat.

"I don’t need a deadline to stay motivated."

Without pressure, I will accomplish absolutely nothing.

"My characters feel so real."

I have arguments with them in my head while washing dishes.

"I just write for fun."

I obsess over every word and feel personally attacked by constructive feedback.

"I’m creating a writing playlist."

I’m avoiding my manuscript by curating vibes for the 30th time.

"I’m a writer!"

I am chaos personified, and I occasionally open Google Docs.