Badwolf0322 - I Do Not Know

You will never ever annoy me if you

Send me random anons

reply to my posts

send me an ask

reblog me

talk to me

say hello

give me random love

“bother” me

So please stop thinking otherwise.

Y'all practical effects bitches are really sleeping on the Mission: Impossible movies.

"Oh everything is CGI these days!" Mission: Impossible uses practical effects whenever it's safe to do so, and their definition of safe is incredibly skewed because Tom Cruise is, frankly, batshit insane.

The man refuses to use stunt doubles because he insists the audience can tell when it's not him. He's apparently one of the best stunt drivers in the world. He drove up a cliff and skidded to a stop right on the edge for real in Dead Reckoning. He got a fucking helicopter license and spent like three years training for the climactic scene in Fallout.

Most of the helicopter chase in Fallout was real. The midair oxygen-tank swap in that movie was also real. They practiced for it in a wind tunnel and then did the real thing in freefall.

When Tom Cruise dies, it's either going to be because he realized Scientology was a crock and tried to get out and they fucking killed him (highly unlikely that he'll ever come to that realization), or because his luck finally ran out while filming a stunt for a Mission: Impossible movie (significantly more likely).

Seriously, if you have the blu-rays of any of these movies, I strongly encourage you to watch them with the director's commentaries. Especially the ones directed by Christopher McQuarrie. That man has an almost pathological distaste for CGI (and when they do have to use it, he's incredibly respectful and complimentary of the people who do the special effects).

Do yourself a favor and watch these movies. They're not just kitschy action flicks. They're kitschy action flicks with a metric fuckton of practical effects, and a production team that really cares about the stories they're crafting.

an open letter to actors I like:

please be in better things

Disney doesn't need to change "the formula." That's the last thing that Wish proves.

What Wish proves is that "the formula" only works when you know why the ingredients are in it, and you use them the correct way.

The Princess Character is meant to wish for only half of the movie's message, and go through an adventure that teaches her what the other half is; what her dream was missing. Ariel dreamed of understanding but she was missing love. Tiana dreamed of achieving her goals but she was missing faith. Jasmine dreamed of freedom but she was missing trust. Belle dreamed of adventure but she was missing being understood.

The Villain is meant to highlight the opposite of the movie's message. Jafar gets what he wants through trickery and manipulation; that's the opposite of Aladdin's "truth will set you free" message, and he gets imprisoned in a lamp. Scar thinks being a King is having his way all the time and can't learn from his past of living in Mufasa's shadow; that's the opposite of The Lion King's "Let the past remind you of your responsibility to selflessness." Gaston loves only himself and is always obsessed with appearances; that's the opposite of Beauty & the Beast's "true love is found within a heart of self-sacrifice." That's what makes them such good villains. (and that clear direction is what drives good villain songs, since Magnifico's is what everyone is talking about)

The sidekick is supposed to compare/contrast with the main character's qualities. Abu is a greedy thief, which is what everyone in Agrabah thinks Aladdin is; when he scolds Abu and teaches him selflessness, it shows us who Aladdin actually is. Flounder is easily frightened and looks at the glass half-full; when Ariel coaxes him and leads by example, we see her bravery and positivity reflected in Flounder's tiny character arc. Timon & Pumbaa do whatever they want all day just like young Simba always dreamed of; when Simba goes to live with them, he finds that "getting his way all the time" makes him forget who he really is and feel empty.

The setting is supposed to show off the characters and highlight the movie's message. Rapunzel's tower is designed to be pretty on the inside because of her influence; if it were too dark and prison-shaped, we'd wonder why she didn't work up the courage to leave sooner. Just like how Quasimodo has made his corner of the bell-tower beautiful, too; they're taught the world is cruel and they're not strong enough for it, but they make their own worlds beautiful enough to hint that that's wrong right from the start. Ariel's grotto is shaped like a tower with no roof so that she only has one window to the forbidden Surface, and it's the light that comes from that forbidden world into her dark grotto which literally makes her able to see human things differently. Tiana's apartment has no interesting features except her father's picture, a perfectly made bed, a drawer with no extra outfits but stuffed with tip money, and only two dresses; both of which are for work.

None of that is happening in Wish, because they didn't know why the formula ingredients are there. Disney needs to understand and return to the formula the right way; forgetting it was what got them here.

Asha learns nothing to add to her dream, unless you count "the power to grant wishes is in me." Which you shouldn't, because we didn't even know she was confused about that until the animals sang a song that was completely off-topic and she had the chance to jump in and sing "I'm a Star!"

Magnifico does not demonstrate the opposite of Wish's message effectively because his character has nothing to do with a philosophy against making wishes, and everything to do with power. (He is the strongest character in the film. But because the message and core concept of what wishes are are so bad, that's not saying much.)

Valentino, and Asha's friends, do not highlight anything about her character through compare/contrast. Valentino is brave and all over the place. Her friends are seven-dwarfs parodies. Happy, Doc, Sneezy, Dopey, Bashful, Sleepy, Grumpy. None of that contrasts with Asha's vague characterization of "cares too much." None of it compares to that characterization, either.

The setting is empty. There are no interesting details that teach you something about any of the characters. None in Asha's home, none in the neat-and-tidy one-dimensional forest, none in the Rosas square, and none in the bland, empty castle. Magnifico's study is the closest anything gets; there's a loose concept that all of Asha's friends have to work together to open the roof, and take a leap of faith to weigh the pulley system down. Unfortunately, none of these characters is shown struggling to work together, OR to take leaps of faith, at all, before this point.

The ingredients of the formula are in Wish. They're just not being used correctly. This is how not to use the formula; it's not the formulas fault. If it ain't broke. They should never have let people convince them to try and fix it.

If I Had Four Dromedaries (Chris Marker, 1966)

when season 5 had Jonathan tell Lex he never liked him... dumbest show ever if he never liked him where is the impact where is the tragedy

CONG TRI Spring/Summer RTW 2024 - part 2 if you want to support this blog consider donating to: ko-fi.com/fashionrunways

Please reblog if you have a good loving father! This is a dad positivity post! I want to see y'all appreciate your good good dads!

Rb if your parents fell asleep at the TV too often and you were forever traumatized by Adult Swim shows

It's been a little while since I've made a poll, so I'm going to shake off the dust with a simpler question (although choosing an answer to this one is probably anything but simple for mystery fans.)

This is mostly oriented towards live action mystery/crime TV series, I'll probably do a later poll for animated shows or anime.

I can't possibly fit every series worth a shoutout in the 12 options Tumblr allows per poll, so please let me know your favorites in the tags and comments if it's not listed here. :)

Please reblog for a larger sample size, thank you!