This YouTube Comment Has Been On My Mind Since I Finished SOTR So This Is What I Came Up With:

The scene in catching fire where Katniss goes to Haymitch to make him promise to protect Peeta only for him to say that Peeta was just there asking the same thing for her is heartbreaking and beautiful and tragic and all that

but its also hilarious because it gives us a very clear metric for the difference between Katniss and Peeta's emotional bandwidth. At any given moment, she's about 45 mins behind whatever realization he just came to. And they're gonna end up in the same place, at the same conclusion its just gonna take her an extra sec to get there give her a minute

Viktor, using a follower’s form to hide in the rafters of the Council Chamber, waiting for Jayce: I will simply reason with him—convince him that he belongs by my side. If he refuses, I will have to make the…unfortunate but necessary sacrifice of killing him. A waste of potential, yes, but it must be done. However, no matter the outcome, I shall remain composed. I will not let emotion cloud my judgment. I have evolved past such rudimentary limitations. I-

*cue Jayce walking in looking like THIS*

Viktor: …change of plans 🥴

*insert THE most homoerotic fight scene in history*

(I’ve spent an abnormal amount of time thinking about this scene if you can’t tell 😳)

if i had a nickle for everytime kristin chenoweth and dove cameron played an evil mother and daughter duo, i'd have two nickels

which isn't a lot, but it's weird that it happend twice

does anybody remember that one clip of arcane animators talking about how there are virtually no perfect circles in the show? the exception being the hextech gemstones. makes me think about how the blowjob brothers are so often framed in the middle of some goddamn circle

People who are oppressed and traumatized die several deaths and are reborn multiple times. Mickey 17 is Mickey Barnes' greatest desire to live. Mickey 18 is Mickey Barnes' deep rage and violence; his reaction to being continuously ground under the boot of the higher class. No one can be expendible, because none of us are made to be expendible, yet some lives are treated as expendible. Some lives have less value than the upper class' "taste". 18, in the end, regains power through self-sacrifice—this is the extent of what he can do to free 17, his purest, most child-like desire to live. The traumatized fight back eventually; 17 channels 18 when he dreams of the wife printing herself and her husband, when he sees the bowl of blood (where did it come from? Who did she kill?) and this is his nightmare because he feels like his new found freedom is once again at risk; that he once again needs to be brutalized by tragedy. But he knows he has to resist and he finds strength in 18. "Fuck off". This movie has such heart and is a tribute to those of us who are crushed by the ones above them with more money; more power. Robert's portrayal of 17 is beautiful and personifies the best of humanity. It's just so well made and earnest and I'm so disappointed that so many of the reviews seem to have completely missed the point, instead failing to find satisfaction in some superficial perception of what makes a movie artsy.

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Star Wars Planets. Part 1 | Part 2 | Part 3 | Part 4

when your circle small but y’all doomed by the narrative

never, ever, stop fighting back