š ;; i still donāt rly let myself think of myself as disabled but wah this post stung š walking so much has been hard lately and being in public and being on campus is so exhausting and everythingās far away and loud and busy and i have so many needs to take care of and always overprepare and my bag is so heavy and wah. looking forward to car so i can have a mobile base of operations ;;
notes for my impostor syndrome:
⢠no, it's not painful to walk for abled-bodied people
⢠no, healthy people don't usually use every chance they get to lean against walls or sit down
⢠no, ableds don't dream about shower stool
⢠no, ableds don't celebrate days when they're not in pain. because usually they're not in pain
⢠no, ableds don't want to stop walking mid-way, lay down on the ground, curl up and cry and whine from pain
⢠no, ableds aren't exhausted by their own bodies 24/7
Character Art I did for Where the Water Tastes like Wine, I was the principal artist on this project. it was so long ago. Some of these images are 8 years old. Absolutely crazy.
This is a friendly reminder that none disabled people often do benefit from the same accommodations disabled people benefit from.
I am That I am (a furry)
Infinite Stairs and Dissected Buildings |Ā Marcin BialasĀ | Socks Studio
Marcin BialasĀ is a Polish artist whoās specialized in etchings and drawings in black an white. Among his large production, a recurring theme is dissected buildings and surreal constructions, such as infinite staircases and labyrinthineĀ interiors, an atemporal combination of G.B. Piranesi andĀ Brodsky/UtkinĀ prints. The structures seem unfinished, yet already in ruin, able to plunge the viewer into an uncomfortable feeling. Somewhere between nightmares and theatrical settings, Marcin Bialasā retro drawings explore the dramatic potential of different projections and points of view.
"Salome dancing before Herod" by Gustave Moreau, 1876