[ My Idea Book ]

[ My Idea Book ]

[ my idea book ]

basically, this little journal is a physical version of a pinterest board. it's a place where i can write down new story ideas, paste in clippings from magazines, sketch out new OC's, leave future me notes. i think every creative person, or really every person in general, needs one of these. a journal, a junk journal, a smashbook, an upcycled novel, a planner with sticky notes and scraps of newspaper articles stuffed between the pages - anything. something that can't just be deleted. it doesn't matter what it is, just as long as you have it.

regardless of how convenient digital mood boards and spreadsheets are, i think there's something truly magical about holding a physical manifestation of your thoughts and ideas in your hands. at least for me, i've always felt like my ideas and goals were more tangible if i had something physical to work with. a paper copy of a manuscript in my hands. a journal filled with thoughts. an anniversary card i can hang up and cherish, rather than a text that will just get buried in a sea of other texts.

and with the rise of a.i. we need a return to traditional art now more than ever. we need people drawing, painting, writing, knitting and crocheting and embroidering, sewing and making jewelry and writing plays and movie manuscripts and poetry, pressing flowers and binding books.

billionaires want the war on art. they want us to stop creating so a.i. can take over. a.i. art is cheaper. a.i. art does not illicit the same feelings art created by a human being does. a.i. art is numb. it lacks heart, and that's why the ruling class wants to replace us with it.

because heartless art doesn't touch anybody. it doesn't dare us to move. to change. a.i. art is shallow. lifeless.

they want us compliant, easily pliable. they want us to give up on our dreams, to give up on the hope that the world could be a better place where everyone is equal and valued. billionaires and ceos and politicians don't want that world because they can't control us in that world. which means they don't want art.

art is what gives hope to the soul.

when we stare at monet's water lily paintings, they overwhelm us with their beauty.

when we read 'do not go gentle into that good night. rage, rage against the dying of the light' it sparks a fire within us; it makes us want to keep fighting, to do something that matters with our life.

when we read about katniss everdeen in the hunger games, we understand the beauty of sacrifice and what it means to truly stand up for what is right no matter the cost.

still i rise by maya angelou.

the 'be kind' speech from everything everywhere all at once.

the scene in the handmaid's tale when offred can't walk and all of the other handmaid's bring her scraps of food so she can still eat.

aragorn's speech in lord of the rings.

these things touch us in that deep place, leaving us irrevocably changed. this is what they hate most. not the art itself, but it's ability to connect. to bring us together in spite of our differences.

art is rebellion in the purest form. art is, and always has been, about humans reaching out, extending a piece of their heart so that someone else might see it and resonate with it, and in doing so both the artist and the art appreciator are reminded that they are not alone. it is a coming together. art is a battle cry. someone crying out and saying 'no, this will not break me. the world is brutal and i've lost everything but i am going to turn this grief into something beautiful. i will persist, no matter how much they want me to perish.'

which is exactly why we need art. good art. terrible art. pretty art. brutal art. fucked up art. half-assed art. creepy art. lovely art. traditional art. abstract art. it doesn't matter if you took a crayola crayon and scribbled all over a piece of paper. it's still art. it's still made by human hands and for that reason it will always be superior to anything artificial intelligence can come up with. keep creating.

keep resisting.

do not perish.

persist.

More Posts from Gravitys-heart and Others

2 months ago

gee, thanks for helping me solve my nondeterministic polynomial-time complete problem!

5 months ago

I'd love to hear your thoughts on kitchen knives and the importance of using the appropriate knife vs focusing primarily on a chef's knife

I actually have many thoughts on knives.

Knives are definitely a "you get what you pay for" tool. Knives under $80 are generally fine starting out, but something good is gonna be more in the $100-$300 range. You can, of course, find incredible knives for more then that, but frankly most individual knives above $300 are more for show. Not that they're not incredible and functional, but you're gonna pay for the Damascus of the blade and the style of the handle, not the function.

That said, the price is only worth it if you're taking care of them. A $20 knife stored well, sharpened regularly, and honed after each use is better then a Shun that you toss in a drawer and never sharpen. When paying for quality, you're paying for a few things. First is the metal of the blade itself. A well made knife strikes a balance between a blade flexible enough to not shatter when dropped, but solid enough to maintain it's honed edge. My main knife for many years used a kind of sandwich of metals, with a softer, springier steel on the outside for flexibility and protection, and a core of much harder steel for the edge. The second thing you're paying for is the ergonomics. What you want out of each knife ergonomically depends on the style you're getting, but in general better knives will be ones with fully ground edges and good curves, and which let you hold a choked grip without too much pressure. Also bear in mind the weight. Some knives should be heavy, and their weight should help pull them down through what you're cutting. Others should be light, so they don't tire your hands while you work with them.

No matter what you get, cheap or expensive, you should hone it after every use, store it so the edge isn't touching anything hard or at risk of being bumped, and sharpen it on a regular basis, either by taking it to a professional, or using whetstones. I use whetstones for my knives, but only because I used to hand sharpen the chisels in my wood shop, so i had some experience working with them. A bad sharpening can fuck up your knife, so if you want to start learning to sharpen, get a cheap one to practice on.

As for the importance of using the right knife for every job... don't worry about it too much. That might not be what you're expecting from me, but honestly I tend to just pick a favourite knife, and use it for most applications for a few years. My current favourite is actually a very cheap lightweight vegetable cleaver. Since i'm not cooking for groups much these days, the extra weight doesn't bother me as i'm normally only chopping a few things, and I really like having the extra surface area to brace the backs of my knuckles against, I find it makes for more event cuts. I also just enjoy the soft "thunk" as it hits the cutting board, and the satisfying way it faintly bounces when quickly chopping through leafy greens, like it's trying to retain it's momentum. I don't have a good spot for it, so I keep it in the foam-lined box it came in, which has been good enough. I do all my vegetables with it, and I use it for slicing or dividing meat as well. Before that, I used an 8" santoku for all those things, a japanese style chefs knife more geared towards working with vegetables, as it lacks the pointed tip useful for more delicate meat work. I've never been a fan of a standard western chef's knife profile myself, but i do appreciate it's utility.

Outside of your main knife, I think the most useful ones to have are a serrated bread knife, a thin and flexible boning knife, and a paring knife. The serrated knife is self explanitory, and the boning knife is for exactly what you would expect, removing meat from bones, especially fish. A boning knife is an invaluable tool for working with most fish, and I do enjoy the occasional salmon, being from the pacific northwest. The paring knife is important for any kind of small and delicate work, or sometimes the opposite, like when trying to remove something from a large piece of meat. You want something short and small that can basically just act as a sharpened finger. Also, get yourself a cutting fork, and a honing steel, and actually remember to use them both.

The big 10-20 piece knife sets are honestly way overdoing it. Those four, plus a fork and steel, are more then enough for pretty much anything you're gonna wanna do at home. If you have the budget, having some form of chefs knife and a cleaver can be useful, or a few extra paring knives can be handy if you you need to switch without washing one, but those are both just niceties. My recommendation is always to go somewhere in person where you can put together a cheap set with those 4-6, holding each one in your hand and getting a feel for it so you can decide if it's right for you.

And, as a final note, you see this? This little spot down here? That's called the heel. That metal part that blends into the handle is called the bolster. You see how the heel on this knife reaches all the way down to the edge and covers the heel? Do not buy a knife that has this. You want a bolster that ends before the blade itself begins, and the edge of the blade should extend all the way through the heel.

I'd Love To Hear Your Thoughts On Kitchen Knives And The Importance Of Using The Appropriate Knife Vs

Now, a lot of people will chalk this up to bad design, but it's really not. It's a bad design if you, like myself, like I am suggesting you do, use one main knife for most of your culinary purposes. Knives like this exist for two reasons, one being that if you hold a knife purely by the handle, instead of choked up on it, it offers your fingers some protection. That is the "wrong" way to use a chefs knife, but it's also a very common way, and really that's fine. The other reason for it i've heard is that it's better for large butchery, where you're often making sweeping cuts along the curve of the blade and want to be able to drag your knife down more freely, without the risk of the heel snagging in the meat. From my own experience skinning and butchering I haven't found that necessary, but I do see where it could be helpful. That said, having a bolster like this can prevent the knife from getting good flush contact with the cutting surface, leading to incomplete cuts, and a sharp heel can be really useful for small or precise slices. A full bolster like this also makes the knife harder to sharpen. As such, i think it's much better to go without.

Note that this does not apply to all your knifes. Bolstered bread knives and boning knives are generally fine, and i actually prefer a bolstered paring knife, as it offers a little protection when doing that close, delicate work.

alright. i think i'm at the end of my info dump on this one. I have more to say, but i'm also realizing how hungry i am after a day of talking all about cooking. I'm gonna go put my knives to good use and make something tasty <3

2 months ago
2 months ago

manhandling is so fun like sure u can put me over there i don’t mind

2 months ago

SO CUTES 😭💞

My Dad Works On A Huge Property For A Man With A Rescued Baby Deer Who Just Lost His Spots & Really Likes

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3 months ago

Beware the Pipeline

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Whether it is a teacher or a handler you want to be praised and told “Good Job”.

5 months ago
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4 months ago

case neuromancer real “jack in and jack off” type of cowboy

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