I Laughed Way Too Hard At This

Original Animatic | CHURCH

I came up with the characters and story solely for this project; they are not “from” anything, just this!  The nun’s name is Sanga, the demon’s name is Ashivon, and you can find more of them here.

An animatic is, by its nature, a planning stage for animation.  But since I wasn’t sure whether this one would ever end up being fully animated, I put extra care into it.  So now it’s in that animatic/animation gray area.  While making this video, I was torn between the thought “well this is some melodramatic middle-school bullshit” and “actually it’s pretty good”.  In the end, I’d like to think it’s both things. :) 

Song: Church by Fall Out Boy Program Used: Adobe Photoshop CS6 This took me eleven months to make!

“Don’t force yourself into sexual situation just to satisfy your partner” should never be a radical statement

Altogether. Finished Main Set.

The extended Mighty Nein!!!💖💜💙💚💛

Whenever people see an intelligent animal with a witch, there is a common assumption that it is the witches familiar. And while true, many of them are simply magical animal helpers… 

Others are actually young witch babies.

Since witches have no womb and are a byproduct of wild magic, whenever a witch wishes for a child they might one day find a young animal lingering around the house, much like receiving a familiar. An easy way to tell the difference between a youngling and a familiar, however, is that once bonded a familiar will soon begin speaking thereafter. Younglings will not develop speech until much later in their development.

The 2 year mark is when familiar and youngling dimorphism begins. While familiars will simply grow into an adult animal, younglings will enter into a “troll” stage, in which they will develop traits that separate them from ordinary creatures but do not yet resemble a human. It is towards the end of this stage that they will begin saying words, and simple sentences. Minor jinx magic is to be expected.

The “troll” stage will last for ~5 years, and the next stage can happen anytime within the next 3-6 following years. They will encounter a sudden “growth spurt,” where they will suddenly come into distinctly human shapes, while still retaining vestigial traits from their troll years. This transformation can happen overnight, or take over a year to complete. They can begin practicing simple spell magic at this point.

Finally, usually around the 18 year mark, they will fully shed any last vestigial traits, and appear as any other mature witch.

in this house we believe:

this place is not a place of honor

no highly esteemed deed is commemorated here

nothing valued is here

what is here is dangerous and repulsive to us

the danger is in a particular location

the danger is still present in your time as it was in ours

again, there IS a problem of straight actors playing all the gay roles, but the answer isn’t as easy as “straight people shouldn’t play gay people” because a) it’s acting and there’s nothing intrinsically physical about gayness and b) it’s bad to insist that actors make their sexuality public information

What people think writing is like: careful planning and thought out plotlines

What writing is actually like: being possessed by an idea that you are constantly arguing with

halflings love their new giant children

Concept: Star Trek style quasi-utopian deep space drama, except all of the ship’s non-human crew members are really obviously based on particular sci-fi horror tropes.

The chief physician is an amorphous mass of tentacles and teeth that’s infested the entire medical bay, transforming it into a quivering nightmare of meat and viscera. It speaks with a conspicuously posh accent; the human crew members affectionately call it “Doc”.

The head of security is a lurking, probably humanoid something-or-other that’s mostly imperceptible in the visual spectrum, save as a faintly shimmering distortion in the air. Her lack of visibility is treated as a running gag, with the most frequent bits involving a. other crew members not realising she’s in the room until she speaks up, and b. her making reference to various unlikely anatomic features which, of course, the audience cannot see.

The ship’s computer is a blatantly rampant AI that speaks in a chorus of voices. It tends to talk in cryptic, pseudo-religious metaphors which contrast to humorous effect with the mundanity of the topic at hand, and sometimes wanders off on rambling philosophical tangents that require whoever it’s speaking with to remind it to get to the point. You can tell when it’s paying attention to a particular part of the ship because the lighting turns blood red.

The lead science officer is just a huge fucking spider.

(The captain is an apparently ordinary – albeit extremely photogenic – human. We don’t find out what their real deal is until the season finale; what’s revealed firmly establishes them as the freakiest one of the lot!)