This Is How Hannibal Looks When He’s Visiting Crime Scenes

This Is How Hannibal Looks When He’s Visiting Crime Scenes

This is how Hannibal looks when he’s visiting crime scenes

More Posts from Punks-in-beerlight and Others

2 months ago
Liza Minnelli In Cabaret (Bob Fosse, 1972)
Liza Minnelli In Cabaret (Bob Fosse, 1972)
Liza Minnelli In Cabaret (Bob Fosse, 1972)
Liza Minnelli In Cabaret (Bob Fosse, 1972)
Liza Minnelli In Cabaret (Bob Fosse, 1972)
Liza Minnelli In Cabaret (Bob Fosse, 1972)
Liza Minnelli In Cabaret (Bob Fosse, 1972)
Liza Minnelli In Cabaret (Bob Fosse, 1972)
Liza Minnelli In Cabaret (Bob Fosse, 1972)
Liza Minnelli In Cabaret (Bob Fosse, 1972)

Liza Minnelli in Cabaret (Bob Fosse, 1972)

1 month ago
Sigourney Weaver Photographed By Robert Mapplethorpe.

Sigourney Weaver photographed by Robert Mapplethorpe.


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1 month ago
Seinfeld – 4.14: The Visa
Seinfeld – 4.14: The Visa
Seinfeld – 4.14: The Visa
Seinfeld – 4.14: The Visa

Seinfeld – 4.14: The Visa


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1 month ago
THE GREEN KNIGHT (2021) Dir. David Lowery
THE GREEN KNIGHT (2021) Dir. David Lowery
THE GREEN KNIGHT (2021) Dir. David Lowery
THE GREEN KNIGHT (2021) Dir. David Lowery
THE GREEN KNIGHT (2021) Dir. David Lowery
THE GREEN KNIGHT (2021) Dir. David Lowery
THE GREEN KNIGHT (2021) Dir. David Lowery
THE GREEN KNIGHT (2021) Dir. David Lowery

THE GREEN KNIGHT (2021) dir. David Lowery


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1 month ago
SINNERS (2025) Dir. By Ryan Coogler
SINNERS (2025) Dir. By Ryan Coogler
SINNERS (2025) Dir. By Ryan Coogler
SINNERS (2025) Dir. By Ryan Coogler
SINNERS (2025) Dir. By Ryan Coogler
SINNERS (2025) Dir. By Ryan Coogler
SINNERS (2025) Dir. By Ryan Coogler
SINNERS (2025) Dir. By Ryan Coogler
SINNERS (2025) Dir. By Ryan Coogler
SINNERS (2025) Dir. By Ryan Coogler

SINNERS (2025) dir. by Ryan Coogler


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2 months ago
Mountain Laurel

Mountain Laurel


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2 months ago
Academy Award Winners For Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord Of The Rings:
Academy Award Winners For Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord Of The Rings:
Academy Award Winners For Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord Of The Rings:
Academy Award Winners For Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord Of The Rings:
Academy Award Winners For Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord Of The Rings:
Academy Award Winners For Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord Of The Rings:
Academy Award Winners For Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord Of The Rings:
Academy Award Winners For Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord Of The Rings:
Academy Award Winners For Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord Of The Rings:
Academy Award Winners For Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord Of The Rings:
Academy Award Winners For Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord Of The Rings:
Academy Award Winners For Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord Of The Rings:

Academy Award Winners for Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord of the Rings: The Fellowship of the Ring (2001) Directed by Peter Jackson Aspect Ratio: 2.39 : 1

Andrew Lesnie immersed himself in the project by rereading the books and going through hundreds of sketches and paintings created by Tolkien artists Ted Nasmith, Alan Lee and John Howe. “The art department was a constant source of inspiration for me,” Lesnie recalls. “In the main hallway was a huge mural that was a condensed visual interpretation of the narrative for the trilogy. It consisted of conceptual drawings, set designs, costume designs, location photos and so forth. It was a matter of throwing everything into one great big pot and letting it simmer.” A big pot it certainly was, for the three films entailed 274 days of principal photography encompassing 600 scenes, 350 sets and more than 4 million feet of exposed negative. “The Lord of the Rings trilogy deals with such a staggering number of issues and takes so many directions that it’s better to let the process operate subliminally. That way, your work starts springing out of a different place than you might normally anticipate.” While Lesnie and Jackson viewed other films for elements such as staging or stylistic treatment, both knew that the books were the obvious source of inspiration. As Lesnie declares, “Tolkien’s writing is exceptionally eloquent in its depiction of feeling and mood.” — American Cinematographer, December 2001

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punks-in-beerlight - Sweet, sweet nothing
Sweet, sweet nothing

The alleys are the footnotes of the avenues

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