When You Thought It Would Be Easy Peasy Lemon Squeezy But It Turns Out To Be Difficult Difficult Lemon

When you thought it would be easy peasy lemon squeezy but it turns out to be difficult difficult lemon difficult.

More Posts from Skimbledankstheradicalcat and Others

10/10 Dad Joke

10/10 dad joke

I’ll Represent You In Court :)

I’ll represent you in court :)

so many liberals decry palestine being seen as an ‘omnicause’ but when the us govt is using criticism of israel as an excuse to curtail free speech and imprison/deport non-citizens and when israel uses gay rights or women’s rights as a way to whitewash its murder of women and children amongst 19388493 other examples, how can it not be

After seeing all the responses to it, I decided to ☠️ the live action Lilo & Stitch to see the damage for myself. Setting aside the common criticisms (no gantu, jumbas... everything, Nani and Lilo's relationship or lack thereof, cobra bubbles/the social worker, The Ending), something that honestly killed the movie in its infancy for me is its pace and its noise.

This movie is allergic to beats of silence or introspective moments, which is bonkers, because that's one of the things that makes the original so strong. Lilo walking home alone after hula practice. Nani sneaking to hear Lilo's prayer. The quiet after the incident at the beach before Lilo says, "You ruined everything." Stitch alone in the woods before he cries out that he's lost. All of these moments so many more are cradled by silence as the movie urges us to look and listen with patience. In the live action, these moments are rushed (at least the ones that are still in it, as not all of them are) and they suffer for it. Hell, even Stitch's escape sequence is undermined by how rapid the pacing is.

So many times, I found myself just wishing for the movie to *breathe*. There are so few moments of quiet introspection, and the ones that are there are still littered with extra things that just clutter the simple, powerful story underneath it. Tack on that almost every single intimate character moment or interaction is punctuated with a joke of some kind. It's like the movie is insecure about its own sincerity, so it buries it under cheap jokes and quips.

What really gets me is that the original is funny in part because of its ability to be quiet. Lilo showing Nani Stitch's record player trick is funny as fuck in the original because of how its quiet. Lilo's deadpan face, Nani's stunned silence, and the pauses when Lilo closes his mouth all service the comedy of the scene. The scene also acts as another reinforcement of Nani's understanding of Lilo in that she simply watches to see what the fuck her weirdo little sister has figured out.

In the live action, they have Lilo talking throughout the whole bit, and Nani just offhandedly responds while only looking at her phone (the movie is so confused as to how Nani feels about Lilo in my opinion) and it just falls flat, even with the read that the scene is meant more to illustrate their strained sister relationship.

It honestly stinks cause the little girl playing Lilo is adorable and doing a great job, especially for her age and for the crappy movie she's in. Her dynamic with Stitch, while altered (she's more of a little troublemaker type in this, sneaking into resorts, freeing someone's chickens, sneaking candy to feed the shelter dogs, etc.), is still well done and very wholesome. I just wish they'd gotten a better movie to be in.

Tldr; the movie lacks dynamic pacing and the quiet moments that made the original movie's simple, grounded (lol sort of) story so impactful.


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rb to give it up for laura hall and linda taylor

Rb To Give It Up For Laura Hall And Linda Taylor

first person fic: I-

me: I did nothing. you are not me. fuck you.

second person fic: 

YOU

me: oh shit maybe i did do that

Fave New Twitter Thread
Fave New Twitter Thread
Fave New Twitter Thread
Fave New Twitter Thread

Fave new twitter thread

Rewatching C2, and am finally getting the chance to understand and mourn the story we didn’t get to see with Molly’s death. 🥲

I’m with all the shippers. I’m almost positive we would have seen a Caleb and Molly relationship ramp up higher and higher throughout the campaign. You can see the seeds from the very start, and we’re not even talking that intimate moment with the wall and the glares.

Not to mention how the Nonagon story would have changed completely with Molly’s life. How Lucien’s crew would have become the villains. Maybe even making the Tabaxi Cleric the leader of the group. It wouldn’t have been as stunning. There is nothing more satisfying than the moment Jester scries on Molly and we realize who he has become.

But the story would have been so fascinating.

I adore Caduceus. He one of my favorite characters, and I am happy we got a story with him in it. But I’m definitely grieving Molly as I watch through C2 for the second time.

there is actually a large radfem population who get mad if you imply women’s fashion throughout history wasn’t specifically designed to torture and maim women. like, not just corsets. if a fashion historian talks about the functionality of removable pockets and underskirts, they’ll get really angry. idk why, truly. women throughout history were doing jobs and living lives, they needed clothes that could be functional. even if the upper crust was competing to see who could strangle their waist, everybody else had to have clothes comfortable enough to move in. and the widespread corset maiming is a myth too.

The World Revives, Colours Renew
The World Revives, Colours Renew
The World Revives, Colours Renew
The World Revives, Colours Renew
The World Revives, Colours Renew
The World Revives, Colours Renew
The World Revives, Colours Renew
The World Revives, Colours Renew
The World Revives, Colours Renew
The World Revives, Colours Renew

The world revives, colours renew

But I know blue, only blue, lonely blue, within me blue, without you

Clarke Version

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