Grease: Rise of the Pink Ladies
Nancy and Cynthia 1x06 -> 1x10
Switched between 1st and 2nd POV based on how funny it sounds.
I need Jim to teach Spock how to run please dear god his shrimp running position is crazy
McCoy: I'm serious Jim, I've never seen Spock that angry before.
My current job has me working with children, which is kind of a weird shock after years in environments where a “young” patient is 40 years old. Here’s my impressions so far:
Birth - 1 year: Essentially a small cute animal. Handle accordingly; gently and affectionately, but relying heavily on the caregivers and with no real expectation of cooperation.
Age 1 - 2: Hates you. Hates you so much. You can smile, you can coo, you can attempt to soothe; they hate you anyway, because you’re a stranger and you’re scary and you’re touching them. There’s no winning this so just get it over with as quickly and non-traumatically as possible.
Age 3 - 5: Nervous around medical things, but possible to soothe. Easily upset, but also easily distracted from the thing that upset them. Smartphone cartoons and “who wants a sticker?!!?!?” are key management techniques.
Age 6 - 10: Really cool, actually. I did not realize kids were this cool. Around this age they tend to be fairly outgoing, and super curious and eager to learn. Absolutely do not babytalk; instead, flatter them with how grown-up they are, teach them some Fun Gross Medical Facts, and introduce potentially frightening experiences with “hey, you want to see something really cool?”
Age 11 - 14: Extremely variable. Can be very childish or very mature, or rapidly switch from one mode to the other. At this point you can almost treat them as an adult, just… a really sensitive and unpredictable adult. Do not, under any circumstances, offer stickers. (But they might grab one out of the bin anyway.)
Age 15 - 18: Basically an adult with severely limited life experience. Treat as an adult who needs a little extra education with their care. Keep parents out of the room as much as possible, unless the kid wants them there. At this point you can go ahead and offer stickers again, because they’ll probably think it’s funny. And they’ll want one. Deep down, everyone wants a sticker.
#star trek
yes this is about the Tarsus IV thing and also the Farragut thing and probably a secret third thing also
the violence in bottoms (2023) is so satisfying in a way i don't really know how to put into words. somewhere between the violence against women that movies sometimes shy away from too much but also Lean Into a little too much (spectrum of either not depicting realistic violence/harassment due to discomfort with it or the "you can't hit her she's a girl!" concept vs gratuitous sensationalized violence). like it's that "boys will be boys" kind of roughhousing that girls are excluded from if the narrative frames them as too delicate / feminine / untouchable. and i see them beating the shit out of each other and it feels Good. they're not untouchable dolls nor are they objects to project malice and gratuitous violence onto! it's not even fully about the empowerment or seeing girls be able to fight back (which does feel amazing in its own right and the movie does a great job of delivering it) like even seeing like, idk black widow beat up a bunch of guys in a marvel movie doesn't feel the same as how bottoms does it. it feels unpolished and grounded and realistic and satisfying. #girlswillbegirls
A comic about the Warp Drive Five as original generation trekkies. Thank you to my friend Rod R. Driver for letting me pour our love of trek history into a love letter to Star Trek and its fans!
Inspired by Rod's original watercolor piece of the Warp Core Four...
Referenced in the comic, The Epilog to Orion by Gerry Downes was the first K/S published, though K/S zines had been made underground for much longer. You can read Gerry Downes' other trek fan works online.
[WWDitS finale spoilers]
Aside from the obvious – the gross shipbaiting and mocking naive viewers who dared to believe an m/m dynamic could be treated as anything other than the butt of the joke – my biggest issue with the WWDitS finale is that it’s an ending that could have made sense… but at most after s2. Back then, we were still watching a story about characters who didn’t share any particular bonds (except for Nadja/Laszlo) and who were entirely static, unaffected by the things they experienced.
The thing is, the creators themselves realized you can’t build a long-running story on that formula – eventually, the characters had to evolve at least a little, and their relationships had to deepen so viewers would have any reason to root for them. And so Guillermo’s position in the group began to change – first, he earned their minimal respect, then a very solid place, until finally, in season 5, all the other characters had reached a point where they didn’t even hide that they genuinely cared about him a lot. The same happened with Colin, who at first was completely left out by the other housemates but gradually earned an equal spot in the group and developed that stupid yet sweet bond with Laszlo (erasing those memories was, imo, one of the writers’ biggest mistakes). Laszlo showed himself capable of empathy, which he proved again in s5 by helping Guillermo, and even Nadja, who used to completely disregard everyone’s feelings, had several moments in later seasons where she openly cared – at least in her own way – about the others.
And of course, that’s how we got the romantic subtext between Guillermo and Nandor. Over all those seasons – from s3 up until s6 – I was certain it was a classic will they, won’t they dynamic that would end with them getting together. I just couldn’t believe the writers would spend the last 4 seasons making their relationship more equal and showing Nandor’s journey to realizing Guillermo genuinely mattered to him, only to do nothing with it – or worse, regress them back by three seasons. But the late s6 Nandor’s “no homo” attitude has very little in common with the Nandor from seasons 4 and 5, who was openly pining and lusting after Guillermo.
From Guillermo’s perspective, this ending is an absolute tragedy – even the end of the previous episode gave him much more hope. Maybe he’d lost his lifelong dream and still hadn’t found a new purpose, but he had found a family and a place in the world, with a potential chance to build something meaningful with Nandor in the future. I don’t understand why this episode had to undo all of that – to show us that none of his friends really listen to him, that the power dynamic with Nandor will always be uneven, and that ultimately he wasted 16 years, and no one would really care that much if he left. Considering how great Guillermo’s development was, especially in gaining confidence from s4 onward, this ending feels so unfair and insulting to his character.
I feel like the writers’ biggest mistakes have been forcing a return to the status quo after every season. After the breakup in s3, the characters should have stayed apart for at least an episode or two. Colin should have remembered that Laszlo raised him, and they should’ve kept their funny, fucked-up father-son relationship until the end of the show. Guillermo should’ve been a real vampire for at least a full season—or, in my opinion, permanently—because, as it turns out, the writers had absolutely no idea what to do with his character once he lost that goal. Relationships that had evolved shouldn’t be randomly reset by a couple of seasons just because the writers couldn’t be bothered to put in the effort to write anything new for them.
You can’t have your cake and eat it too – if the writers were so dead-set on giving us an ending that says “nothing in these characters’ lives matters, and nothing will ever change,” they should have made the show half as long and spared viewers the trouble of getting invested in character and relationship arcs that ultimately went nowhere.
This is a comedy show that was supposed to make people feel better. After this finale, I feel mocked by the creators for believing that the queer ship they sold me for 4 seasons had a chance of being treated equally to an m/f ship. I’m also sad because the characters were regressed and left stuck in eternal limbo, and generally I feel ridiculed because the writers openly made fun of us for getting emotionally invested in the story they wrote for us.
And maybe the biggest crime of these last few episodes was that they weren’t even remotely funny—so you can’t even say they prioritized comedy over character development, because it failed on that front too.
you just know that gale hawthorne was walking around living that "mean love interest who will only smile at you" fantasy with katniss. the girl who only smiled with him in the woods apparently.
and that he jumped about 30 feet back the first time she laughed at peeta's joke within 3 minutes of them being on screen.
Japanese spider crab
Specify in the tags please what species or breed of animal you would choose as a witches familiar if the most obvious were off the table
Let's have fun with this
For example for me it would be a great white shark
Also yes men you can interact with this poll too