The final post in this mini-series on the Osaka Expo 70 Commemoration Park is the obvious: how does one get there? Considering the Expo was all about bringing together the world's shared (or non-shared) visions of the future, the Monorail seems perfect! Except this line wasn't launched in time for the Expo - it was a later project, opened in 1990.
The straddle-beam monorail links Osaka Airport to Kadoma, and is due to be extended by the end of the decade. A short branch line pops out just to the East of the Expo 70 Park station, so a visit to the park is also a chance to see some mighty impressive sets of monorail points either side of the station, as the West side (above) also connects to the depot.
While most of the pavilions of the 1970 World Expo at Osaka were demolished, a very large exhibit was preserved: the Japanese garden. Located in the North of the enormous Commemoration Park, it's designed as a stroll through the ages, with four sections inspired by different periods, Ancient, Medieval, Modern (Edo period) and Contemporary - kind of like the zones from The Crystal Maze, just without the puzzles and Richard O'Brien.
From rock gardens to ponds and rolling hills, from a bamboo grove to wisteria and maple trees, it hits the notes you'd expect from a summary of Japanese landscape styling, but allows one plenty of room to contemplate each tableau - I'm emphasised how big the overall park is, but the Japanese garden alone covers 26 hectares.
One of the few gripes I have with Koishikawa Kôrakuen, my favourite garden in Tokyo, is that some buildings are close and large enough to appear in the background. With the Expo pavilions gone however, most views in this park don't have that problem. Only the Tower of the Sun and the Osaka Wheel are able to rise above the park in this view towards the South.
Been a busy bee today, so here are some animals from the Expo 70 Commemoration Park.
With another World Expo underway at Osaka this year, a massive park to the North of the city (actually in the neighbouring city of Suita) sits on the site of the first Japanese World Expo in 1970. There's usually some form of centrepiece: in 1889 it was the Eiffel Tower, and at Osaka Expo '70, it was the Tower of the Sun.
It is a massive sculpture by Taro Okamoto, which it was possible to climb into to view another work called the Tree of Life. As it was going to have people inside, it needed a lightning rod - that's what the top face (officially a mask, but I tend to call it the "bird face" - whose eyes light up at night apparently) is sporting. The three faces on the back, front and top represent humanity's past, present and future respectively, though some art critics and historians have a more bleak interpretation due to Okamoto's larger body of work and stance against technological progress, something the Expo would put emphasis on.
Similarly to the Eiffel Tower, the Tower of the Sun was supposed to be a relatively ephemeral structure, and nearly all the Expo pavilions around it have been demolished. Like the Eiffel Tower, it was avant-garde and no doubt not everyone liked it. But this building is one of the few to be preserved, and requires regular attention - again, like the Eiffel Tower which needs periodic repainting. In any case, the Tower of the Sun is one of Osaka's most iconic landmarks.
Feeling rather non-committal today, so here are some flowers from the Expo '70 Commemoration Park near Osaka. This is probably going to start a mini-series because the place is huge, so more information will come later.