Extraterrestrials - Blog Posts
Kings of the High Desert
A herd of strange creatures has congregated on this rocky outcrop. Known as Emperor Shinebacks, they often climb these rugged foothills to obtain access to cooling breezes and additional food sources. Their top-heavy tripodal stature prevents further ascension into the mountains, but it serves them well on more level ground. Reflective carapaces mitigate much of the sun’s harmful rays, and cooling flaps along their flanks dissipate excess heat. A shineback’s normal gait is rather clumsy, but when haste is needed they clamp all three legs together into a single monopod and bounce effortlessly across the desert at remarkably high speeds. This combined with their massive size (adults are over eight feet tall) and protective social behavior makes them almost impervious to attack. Almost…
Full of Stars
The season's storms had taken their toll, opening up an organic cave in the otherwise sealed mountain canopy forest. Encouraged by the prospect of shelter from more incoming inclement weather, the dacia considers entering the dark, yet inviting refuge. The glittering biolights beckon, but this new environment is far stranger than anything it’s ever known.
New Lands
Title: Sanctuary of Onaya.
by JoLu Amaringo
In this visionary artwork we can see the shrine of the sublime master Onaya in this temple we can find the path to heavenly wisdom. The spirits encountered by the vegetalist in this journey are his masters, and from them he gets the entrance to the spiritual temple, which is composed of living pearls and precious gems. The columns of this sanctuary are made of flawless diamonds that can never be defiled.
Only the pure of heart enlightened by love, humility and wisdom can enter the magnificent and sacrosanct temple. In the water of the waterfall we see on the right side of the temple are the anguilamamas, who discharge electromagnetic rays that protect the sanctity of the temple. Also visible are the indigenous warriors who also act as guardians. The extraterrestrial ships at the top are from another galaxy and have traveled for thousands of years and visited many worlds to extract minerals and reach the Amazon jungle to receive vital energy.
The green patiquina in the lower right is used to represent a person's lungs; the different shades of green from the edge of the leaf to its center indicate the state of the person's lungs.
The hummingbird we see in this visionary work acts as a messenger. Its sweet trills are the most delicate and sublime icaros to sing to people seeking new strength or suffering from dreadful diseases. However, they must be sung with the utmost precision. These celestial spirits inhabit the palaces and temples at the top, where they gather to sing songs of worship.
Finally below is the sachamama (mother of the forest). She projects an electromagnetic rainbow symbolizing the elements that fertilize the plants. The healers in the ceremony are chanting the icaro of the sachamama to prevent the sorcerers from thwarting their work.
Artwork and description by JoLu Amaringo
The Nature of Reality: Exploring Consciousness, Perception, and Individual Worlds
Bashar has already addressed this question, explaining that everything we encounter is an intricate pattern of another being. In essence, we interact with patterns that are replicas of these beings. Since each individual exists within their own unique reality, creating their experiences by referencing others, even encounters with the same entity can lead to completely different stories, nuances, and actual events. This phenomenon is particularly evident in higher-density interactions, such as contacts with extraterrestrial beings. For instance, two people might be in the same place at the same time, yet report entirely different contact experiences.
My understanding of this concept is as follows: other consciousnesses exist, each experiencing their own worlds. Our Higher Self references these other worlds precisely according to our pre-incarnational intentions, thus creating our individual realities. These referencing processes are mutual; however, each person's reality is unique, resulting in similarities that are infinitely varied. For example, the world experienced by the person next to you might be set years in the past or future, or that person might not even exist in your reality.
This concept can be directly understood and applied through Neville Goddard's method of revision. For instance, you can alter someone's age, redefine your relationship with them, or change your shared history. This serves as compelling evidence that we are not sharing a common reality but rather referencing our own individual worlds in similar ways.
Moreover, when asked about the conspiracies currently unfolding on Earth, Bashar responded, "I'm not seeing what you're seeing. That doesn't happen in my world." This suggests that while Bashar's Earth may resemble our own in history and current events, it is, from the perspective of his people (the Essassani), a different world altogether.