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5 years ago
Dear Christian: Did You Spend Time With God Today? ๐Ÿ˜Š๐Ÿ™

Dear Christian: Did you spend time with God today? ๐Ÿ˜Š๐Ÿ™


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4 weeks ago
๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,
๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,
๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,

๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก, ๐‘“๐‘œ๐‘Ÿ ๐‘กโ„Ž๐‘’๐‘–๐‘Ÿ๐‘  ๐‘–๐‘  ๐‘กโ„Ž๐‘’ ๐‘˜๐‘–๐‘›๐‘”๐‘‘๐‘œ๐‘š ๐‘œ๐‘“ โ„Ž๐‘’๐‘Ž๐‘ฃ๐‘’๐‘›.

๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,
๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,
๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,

๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘œ๐‘ ๐‘’ ๐‘คโ„Ž๐‘œ ๐‘š๐‘œ๐‘ข๐‘Ÿ๐‘›, ๐‘“๐‘œ๐‘Ÿ ๐‘กโ„Ž๐‘’๐‘ฆ ๐‘ค๐‘–๐‘™๐‘™ ๐‘๐‘’ ๐‘๐‘œ๐‘š๐‘“๐‘œ๐‘Ÿ๐‘ก๐‘’๐‘‘.

๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,
๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,
๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,

๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘š๐‘’๐‘’๐‘˜, ๐‘“๐‘œ๐‘Ÿ ๐‘กโ„Ž๐‘’๐‘ฆ ๐‘ค๐‘–๐‘™๐‘™ ๐‘–๐‘›โ„Ž๐‘’๐‘Ÿ๐‘–๐‘ก ๐‘กโ„Ž๐‘’ ๐‘’๐‘Ž๐‘Ÿ๐‘กโ„Ž.

๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,
๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,
๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,

๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘œ๐‘ ๐‘’ ๐‘คโ„Ž๐‘œ โ„Ž๐‘ข๐‘›๐‘”๐‘’๐‘Ÿ ๐‘Ž๐‘›๐‘‘ ๐‘กโ„Ž๐‘–๐‘Ÿ๐‘ ๐‘ก ๐‘Ž๐‘“๐‘ก๐‘’๐‘Ÿ ๐‘Ÿ๐‘–๐‘”โ„Ž๐‘ก๐‘’๐‘œ๐‘ข๐‘ ๐‘›๐‘’๐‘ ๐‘ , ๐‘“๐‘œ๐‘Ÿ ๐‘กโ„Ž๐‘’๐‘ฆ ๐‘ค๐‘–๐‘™๐‘™ ๐‘๐‘’ ๐‘“๐‘–๐‘™๐‘™๐‘’๐‘‘.

๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,
๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,
๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,

๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘š๐‘’๐‘Ÿ๐‘๐‘–๐‘“๐‘ข๐‘™, ๐‘“๐‘œ๐‘Ÿ ๐‘กโ„Ž๐‘’๐‘ฆ ๐‘ โ„Ž๐‘Ž๐‘™๐‘™ ๐‘๐‘’ ๐‘ โ„Ž๐‘œ๐‘ค๐‘› ๐‘š๐‘’๐‘Ÿ๐‘๐‘ฆ.

๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,
๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,
๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,

๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘ข๐‘Ÿ๐‘’ ๐‘–๐‘› โ„Ž๐‘’๐‘Ž๐‘Ÿ๐‘ก,๐‘“๐‘œ๐‘Ÿ ๐‘กโ„Ž๐‘’๐‘ฆ ๐‘ค๐‘–๐‘™๐‘™ ๐‘ ๐‘’๐‘’ ๐บ๐‘œ๐‘‘.

๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,
๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,
๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,

๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘’๐‘Ž๐‘๐‘’๐‘š๐‘Ž๐‘˜๐‘’๐‘Ÿ๐‘ , ๐‘“๐‘œ๐‘Ÿ ๐‘กโ„Ž๐‘’๐‘ฆ ๐‘ค๐‘–๐‘™๐‘™ ๐‘๐‘’ ๐‘๐‘Ž๐‘™๐‘™๐‘’๐‘‘ ๐‘กโ„Ž๐‘’ ๐‘ ๐‘œ๐‘›๐‘  ๐‘œ๐‘“ ๐บ๐‘œ๐‘‘.

๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,
๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,
๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,

๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘œ๐‘ ๐‘’ ๐‘คโ„Ž๐‘œ ๐‘Ž๐‘Ÿ๐‘’ ๐‘๐‘’๐‘Ÿ๐‘ ๐‘’๐‘๐‘ข๐‘ก๐‘’๐‘‘ ๐‘๐‘’๐‘๐‘Ž๐‘ข๐‘ ๐‘’ ๐‘œ๐‘“ ๐‘Ÿ๐‘–๐‘”โ„Ž๐‘ก๐‘’๐‘œ๐‘ข๐‘ ๐‘›๐‘’๐‘ ๐‘ , ๐‘“๐‘œ๐‘Ÿ ๐‘กโ„Ž๐‘’๐‘–๐‘Ÿ๐‘  ๐‘–๐‘  ๐‘กโ„Ž๐‘’ ๐‘˜๐‘–๐‘›๐‘”๐‘‘๐‘œ๐‘š ๐‘œ๐‘“ โ„Ž๐‘’๐‘Ž๐‘ฃ๐‘’๐‘›.

๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,
๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,
๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘ก,

๐ต๐‘™๐‘’๐‘ ๐‘ ๐‘’๐‘‘ ๐‘Ž๐‘Ÿ๐‘’ ๐‘ฆ๐‘œ๐‘ข ๐‘คโ„Ž๐‘’๐‘› ๐‘๐‘’๐‘œ๐‘๐‘™๐‘’ ๐‘–๐‘›๐‘ ๐‘ข๐‘™๐‘ก ๐‘ฆ๐‘œ๐‘ข, ๐‘๐‘’๐‘Ÿ๐‘ ๐‘’๐‘๐‘ข๐‘ก๐‘’ ๐‘ฆ๐‘œ๐‘ข ๐‘Ž๐‘›๐‘‘ ๐‘“๐‘Ž๐‘™๐‘ ๐‘’๐‘™๐‘ฆ ๐‘ ๐‘Ž๐‘ฆ ๐‘Ž๐‘™๐‘™ ๐‘˜๐‘–๐‘›๐‘‘๐‘  ๐‘œ๐‘“ ๐‘’๐‘ฃ๐‘–๐‘™ ๐‘Ž๐‘”๐‘Ž๐‘–๐‘›๐‘ ๐‘ก ๐‘ฆ๐‘œ๐‘ข ๐‘๐‘’๐‘๐‘Ž๐‘ข๐‘ ๐‘’ ๐‘œ๐‘“ ๐‘š๐‘’.ย  ๐‘…๐‘’๐‘—๐‘œ๐‘–๐‘๐‘’ ๐‘Ž๐‘›๐‘‘ ๐‘๐‘’ ๐‘”๐‘™๐‘Ž๐‘‘, ๐‘๐‘’๐‘๐‘Ž๐‘ข๐‘ ๐‘’ ๐‘”๐‘Ÿ๐‘’๐‘Ž๐‘ก ๐‘–๐‘  ๐‘ฆ๐‘œ๐‘ข๐‘Ÿ ๐‘Ÿ๐‘’๐‘ค๐‘Ž๐‘Ÿ๐‘‘ ๐‘–๐‘› โ„Ž๐‘’๐‘Ž๐‘ฃ๐‘’๐‘›, ๐‘“๐‘œ๐‘Ÿ ๐‘–๐‘› ๐‘กโ„Ž๐‘’ ๐‘ ๐‘Ž๐‘š๐‘’ ๐‘ค๐‘Ž๐‘ฆ ๐‘กโ„Ž๐‘’๐‘ฆ ๐‘๐‘’๐‘Ÿ๐‘ ๐‘’๐‘๐‘ข๐‘ก๐‘’๐‘‘ ๐‘กโ„Ž๐‘’ ๐‘๐‘Ÿ๐‘œ๐‘โ„Ž๐‘’๐‘ก๐‘  ๐‘คโ„Ž๐‘œ ๐‘ค๐‘’๐‘Ÿ๐‘’ ๐‘๐‘’๐‘“๐‘œ๐‘Ÿ๐‘’ ๐‘ฆ๐‘œ๐‘ข.

โ€”The Beatitudes, ๐‘€๐‘Ž๐‘ก๐‘กโ„Ž๐‘’๐‘ค ๐Ÿป:๐Ÿนโ€“๐Ÿท๐Ÿธ (๐‘๐ผ๐‘‰)


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5 months ago
The Birth Of Christ

The birth of Christ

the rebirth of our hope

the rebirth of our endurance

the rebirth of a peacefull world

if only

atleast we do as

He told us to do

A merry Christmas to all of us

Alive.


Tags
6 months ago
Isabelle: (Singing) ๅคœๆ˜Žใ‘ๅ‰ใซ็›ฎ่ฆšใ‚ใ‚‹ ้—‡ใŒๆฏใ‚’ๆฝœใ‚ใ‚‹ ้™ใ‘ใ•ใ‚’่ฟฝใ„ใ‹ใ‘ใ‚‹ ่จ€่‘‰ใฏ่ฆ‹ใคใ‹ใ‚‰ใชใ„

Isabelle: (Singing) ๅคœๆ˜Žใ‘ๅ‰ใซ็›ฎ่ฆšใ‚ใ‚‹ ้—‡ใŒๆฏใ‚’ๆฝœใ‚ใ‚‹ ้™ใ‘ใ•ใ‚’่ฟฝใ„ใ‹ใ‘ใ‚‹ ่จ€่‘‰ใฏ่ฆ‹ใคใ‹ใ‚‰ใชใ„ (English: I awaken before daybreak, The darkness hides its breath, I chase after the stillness, The words won't be found)

Ghosts: (Singing) LORD GIVE ME ONE MORE CHANCE!

Isabelle: (Singing) ใ“ใ‚Œใงๆœ€ๅพŒใ‹ใช (English: I wonder if this is the last)

Ghosts: (Singing) LORD GIVE ME ONE MORE CHANCE!

Isabelle: (Singing) ใฉใ†ใซใ‹ใ—ใฆไฝ•ใจใ‹ใ—ใŸใ„ (English: One way or another, I want to do something about it)

Ghosts and Isabelle: (Singing) ไปŠใ€ๆ‰‹ๆ”พใ—ใŸใ‚‰, ใ™ใ‚Œ้•ใ†ใ ใ‘ ใ“ใฎใพใพ (English: Right now, if you let go, We will merely pass by another, It will be as it is)

Isabelle: ใ‚‚ใ†ไผšใˆใชใ„ (English: I cannot meet with you anymore)

Ghosts: (Singing) LORD GIVE ME ONE MORE CHANCE!

Isabelle: (Singing) ใ“ใ‚Œใงๆœ€ๅพŒใ‹ใช (English: I wonder if this is the last)

Ghosts: (Singing) LORD GIVE ME ONE MORE CHANCE!

Isabelle: (Singing) ใฉใ†ใซใ‹ใ—ใฆไฝ•ใจใ‹ใ—ใŸใ„ (English: One way or another, I want to do something about it)

Ghosts and Isabelle: (Singing) ไปŠใ€ๆ‰‹ๆ”พใ—ใŸใ‚‰, ใ™ใ‚Œ้•ใ†ใ ใ‘ ใ“ใฎใพใพ (English: Right now, if you let go, We will merely pass by another, It will be as it is)

Isabelle: (Singing) ใ‚‚ใ†ไผšใˆใชใ„ (English: I cannot meet with you anymore)

Isabelle: (Singing) ใ‚‚ใ†ไธ€็ท’ใซใ„ใ‚‹ๅฟ…่ฆใฏใชใ„, ้จ™ใ—ใŸใใชใ„, ๆ€ใ„่ฟ”ใ™ใŸใณใซ , ็ญ”ใˆใŒ่ฆ‹ใคใ‹ใ‚‰ใชใ„ (English: No more then to be together, I don't want to cheat, Whenever I think back, An answer can't be found)

Ghosts: (Singing) LORD GIVE ME ONE MORE CHANCE!

Isabelle: (Singing) ใ“ใ‚Œใงๆœ€ๅพŒใ‹ใช (English: I wonder if this is the last)

Ghosts: (Singing) LORD GIVE ME ONE MORE CHANCE!

Isabelle: (Singing) ใฉใ†ใซใ‹ใ—ใฆไฝ•ใจใ‹ใ—ใŸใ„ (English: One way or another, I want to do something about it)

Ghosts: (Singing) LORD GIVE ME ONE MORE CHANCE!

Isabelle: (Singing) ใ“ใ‚Œใงๆœ€ๅพŒใ‹ใช (English: I wonder if this is the last)

Ghosts: (Singing) LORD GIVE ME ONE MORE CHANCE!

Isabelle: (Singing) ใฉใ†ใซใ‹ใ—ใฆไฝ•ใจใ‹ใ—ใŸใ„ (English: One way or another, I want to do something about it)

Music: https://youtu.be/YixAD9GIAuY?si=dnuQdsDD6OOv5Bld


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1 month ago

todayโ€™s lectionary textsโ€”acts 5:27โ€“32, psalm 118:14โ€“29, revelation 1:9โ€“11a, 12โ€“13, 17โ€“19, and john 20:19โ€“31โ€”are so densely interwoven itโ€™s practically rabbinic. itโ€™s the second sunday of easter, which historically functioned as a liturgical echo chamber for the resurrection. but todayโ€™s selections arenโ€™t just liturgical fillerโ€”theyโ€™re deliberate theological architecture. acts 5:27โ€“32 put you into a post pentecost context where peter and the apostles, fresh off their spirit induced empowerment, confront the sanhedrin. the line โ€œwe must obey god rather than menโ€ (ฮดฮตแฟ– แผ€ฮฝฮธฯฯŽฯ€ฮฟฮนฯ‚ ฯ€ฮตฮนฮธฮฑฯฯ‡ฮตแฟ–ฮฝ ฮผแพถฮปฮปฮฟฮฝ แผข ฯ„แฟท ฮธฮตแฟท) is almost a second century anachronism. it anticipates martyrdom theology, rooted in texts like daniel 3 and 6, but also anticipates justin martyr and tertullianโ€™s apologetics. it reframes civic disobedience as divine allegiance.

psalm 118 functions as a hinge text. it's the last of the hallel psalms (113โ€“118), used during passover, which already overlays a liberation motif onto resurrection. โ€œthe stone the builders rejectedโ€ (v. 22) gets picked up in matt 21:42, mark 12:10, luke 20:17, and here again as a kind of post easter hermeneutical key. the rejected messiah becomes the cornerstone of a new ekklesia. it's also worth noting how this psalm was used in second temple processionals. what begins as royal liturgy becomes political protest. revelation 1:9โ€“19 layers on the apocalyptic. john of patmos positions himself in exile โ€œbecause of the word of god and the testimony of jesusโ€โ€”a deliberate mirroring of the acts narrative. christ appears โ€œlike a son of manโ€ (แฝ…ฮผฮฟฮนฮฟฮฝ ฯ…แผฑแฝธฮฝ แผ€ฮฝฮธฯฯŽฯ€ฮฟฯ…), drawing straight from daniel 7, but recoded with roman imperial aesthetics: golden sash, bronze feet, sword mouth. itโ€™s not just christologicalโ€”itโ€™s anti imperial polemic. domitianโ€™s empire is the beast; the risen christ is pantokrator. then john 20:19โ€“31. locked room. fear. sudden appearance. peace (ฮตแผฐฯฮฎฮฝฮท แฝ‘ฮผแฟ–ฮฝ), said twice. jesus breathes on themโ€”enephรฝsenโ€”an echo of gen 2:7 and ezek 37. this is a new creation moment, a new adam breathing life into a new humanity. and thomas, often unfairly dubbed โ€œdoubting,โ€ functions more like a johannine stand-in for the reader. he gets to touch the wound (typos), an embodied epistemology. and yet, the final beatitudeโ€”โ€œblessed are those who have not seen and yet have believedโ€โ€”extends the narrative beyond history into faith. the whole text folds time like a chiasm. so yeah. today is about post resurrection defiance, counter temple theologies, radical reinterpretations of jewish liturgy, imperial subversion via apocalyptic aesthetics, and an invitation to epistemic humility. itโ€™s theology as resistance literature.


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THE SMELL OF TOBACCO

AND

CHAOS ENGINES

AND

TOBACCO USE AT NEWSSTANDS

AND

THE BELL TOLLS

AND

AUTOMATED CLAPPERS

READ

THE HOLY BIBLE


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