I agree, she does get slept on.
chuchi sketch dump before bed
Riven should have had a scene where he beats that jerk
Do you regret the late nights out? The ache in your chest that you can’t place anymore but know is there from the constant nagging at that one hour of the day? Do you remember the day that they left clearly? Or does the warm escape of the whisky whisk you away? Is it all a faint memory? Or is it like a car wreck? Something you won’t ever forget?
Did you love her or the idea of loving her?
Susie’s a lovely little girl. Her dog, Carl, is also very precious. While entertaining the kids everyday does cause me to feel a little stress, I can admit that seeing a smile plastered on their faces made the whole thing worth it.
Susie is so joyful and playful, making sure that there's peace around in the room. She has a way of knowing how someone feels. She was someone the world needed. That's what made her fate so tragic.
She deserves to be able to grow up. She deserves to be with her family. She should have finished school. She should have gotten a career. She should have gotten a family! Everyone does!
She also deserved the right to be able to tell her story on her own time, not force out. Oh Foxy, what have you done? When the truth was revealed, she started to cry and begged for forgiveness for the crimes she was forced to commit.
It's been about an hour and a half, Susie was finally able to calm down but doesn't want anyone near her. Carl is standing near keeping guard. Everyone has gone off with their counterparts, and while Max (Shadow Freddy) wanted to be near Susie, I was able to convince her that I had it under control. There I stayed, sitting next to her but with enough space to make her comfortable.
There wasn't much talking between the two of us. It was just silence, but it was comfortable. Then I heard some metal creaking, looking up I saw Susie standing over me with Carl, in the cupcake animatronic, in her hand. With a smile, I stood up, pet Carl, and I started to tell her a story.
Guys my phase is back and I long to make it everyones problem /silly
hey tmvtm community i managed to get PAL(and mark)'s voice in japanese
The thing with the Mari Lwyd, though, is that it's being... I don't know, 'appropriated' is the wrong word, but certainly turned into something it isn't.
Thing is, this is a folk tradition in the Welsh language, and that's the most important aspect of it. I feel partly responsible for this, because I accidentally became a bit of an expert on the topic of the Mari Lwyd in a post that escaped Tumblr containment, and I clearly didn't stress it strongly enough there (in my defence, I wrote that post for ten likes and some attention); but this is a Welsh language tradition, conducted in Welsh, using Welsh language poetic forms that are older than the entire English language, and also a very specific sung melody (with a very specific first verse; that's Cân y Fari). It is not actually a 'rap battle'. It's not a recited poem. It is not any old rhyme scheme however you want.
It is not in English.
Given the extensive and frankly ongoing attempts by England to wipe out Welsh, and its attendant cultural traditions, the Mari is being revived across Wales as an act of linguistic-cultural defiance. She's a symbol of Welsh language culture, specifically; an icon to remind that we are a distinct people, with our own culture and traditions, and in spite of everyone and everything, we're still here. Separating her from that by removing the Welsh is, to put it mildly, wildly disrespectful.
...but it IS what I'm increasingly seeing, both online and in real world Mari Lwyd festivals. She's gained enormous pop-culture popularity in recent years, which is fantastic; but she's also been reduced from the tradition to just an aesthetic now.
So many people are talking/drawing about her as though she's a cryptid or a mythological figure, rather than the folk practice of shoving a skull on a stick and pretending to be a naughty horse for cheese and drunken larks. And I get it! It's an intriguing visual! Some of the artwork is great! But this is not what she is. She's not a Krampus equivalent for your Dark Christmas aesthetic.
I see people writing their own version of the pwnco (though never called the pwnco; almost always called some variant on 'Mari Lwyd rap battle'), and as fun as these are, they are never even written in the meter and poetic rules of Cân y Fari, much less in Welsh, and they never conclude with the promise to behave before letting the Mari into the house. The pwnco is the central part to the tradition; this is the Welsh language part, the bit that's important and matters.
Mari Lwyd festivals are increasingly just English wassail festivals with a Mari or two present. The Swansea one last weekend didn't even include a Mari trying to break into a building (insert Shrek meme); there was no pwnco at all. Even in the Chepstow ones, they didn't do actual Cân y Fari; just a couple of recited verses. Instead, the Maris are just an aesthetic, a way to make it look a bit more Welsh, without having to commit to the unfashionable inconvenience of actually including Welsh.
And I don't really know what the answers are to these. I can tell you what I'd like - I'd like art to include the Welsh somewhere, maybe incorporating the first line of Cân y Fari like this one did, to keep it connected to the actual Welsh tradition (or other Welsh, if other phrases are preferred). I'd like people who want to write their version of the pwnco to respect the actual tradition of it by using Cân y Fari's meter and rhyme scheme, finishing with the promise to behave, and actually calling it the pwnco rather than a rap battle (and preferably in Welsh, though I do understand that's not always possible lol). I'd like to see the festivals actually observe the tradition, and include a link on the booking website to an audio clip of Cân y Fari and the words to the first verse, so attendees who want to can learn it ahead of time. I don't know how feasible any of that is, of course! But that's what I'd like to see.
I don't know. This is rambly. But it's something I've been thinking about - and increasingly nettled by - for a while. There's was something so affirming and wonderful at first about seeing the Mari's climb into international recognition, but it's very much turned to dismay by now, because she's important to my endangered culture and yet that's the part that everyone apparently wants to drop for being too awkward and ruining the aesthetic. It's very frustrating.